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Franz Xaver Winterhalter Two Sicilies oil painting


Two Sicilies
Painting ID::  81750
Franz Xaver Winterhalter
Two Sicilies
1846(1846) Medium Oil on canvas Dimensions 215 x 142 cm (84.6 x 55.9 in) cyf

   
   
     

Franz Xaver Winterhalter Eugenie of Montijo, Empress of France oil painting


Eugenie of Montijo, Empress of France
Painting ID::  81868
Franz Xaver Winterhalter
Eugenie of Montijo, Empress of France
Date 1857(1857) Medium Oil on canvas Dimensions 109 x 138 cm (42.9 x 54.3 in) cjr

   
   
     

Franz Xaver Winterhalter Napoleon Alexandre Berthier oil painting


Napoleon Alexandre Berthier
Painting ID::  81974
Franz Xaver Winterhalter
Napoleon Alexandre Berthier
1837(1837) Medium Oil on canvas Dimensions 186 x 138 cm (73.2 x 54.3 in) cyf

   
   
     

Franz Xaver Winterhalter Portrait of Victoria of Saxe Coburg and Gotha oil painting


Portrait of Victoria of Saxe Coburg and Gotha
Painting ID::  82764
Franz Xaver Winterhalter
Portrait of Victoria of Saxe Coburg and Gotha
1840(1840) Medium Oil on canvas Dimensions 215 x 140 cm (84.6 x 55.1 in) cyf

   
   
     

Franz Xaver Winterhalter Maximilian III oil painting


Maximilian III
Painting ID::  82855
Franz Xaver Winterhalter
Maximilian III
1730s Medium Oil on canvas Dimensions 142 x 82 cm (55.9 x 32.3 in) cyf

   
   
     

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     Franz Xaver Winterhalter
     German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.

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